Music plays a fundamental role in the life of the Abbey, whether it be Gregorian Chant sung by the Monastic Community at the Daily Office, or choral music sung by the Abbey Choir at Solemn Mass & Vespers. The Abbey is a vibrant centre of musical activity in Devon that hosts a popular series of concerts and organ recitals.

A current music list is available to download here.

An archive of music lists from previous years is available here:
2018
2019
2020
2021
2022
2023
2024

Matthew Searles — Master of the Music

Matthew Searles is Master of the Music at Buckfast Abbey. He is responsible for all aspects of the musical life of the Abbey, including the daily Mass and Office, direction of the Abbey Choir, and is Executive Producer of the in-house record Label, Ad Fontes. Matthew joined the Abbey in 2018 as Assistant Master of the Music, during which time he helped to re-establish a treble line of choristers, and played for Midnight Mass, televised live on BBC One. Prior to moving to Buckfast, Matthew was Sub-Organist of Liverpool Metropolitan Cathedral. He is a prizewinning graduate of Royal Holloway, University of London, where he received First Class Honours and the Driver Prize for ‘outstanding musical performance’. Matthew continued his studies at the Conservatoire à Rayonnement Régional de Poitiers, France. He is a Fellow of the Royal College of Organists.

Robert Pecksmith — Assistant Master of the Music

Robert Pecksmith is Assistant Master of the Music at Buckfast Abbey, where he is responsible for the training of the Abbey choristers and shares in the organ playing for the daily Office and at the daily Mass in the Abbey. Previously, Robert held appointments at St James’ Cathedral in Toronto, Wakefield Cathedral, and the York Oratory, where he was Assistant Director of Music between 2015 and 2020. Robert trained as an organist at the junior department of the Royal Birmingham Conservatoire and later as organ scholar at Somerville College, Oxford, where he read history. He is a Fellow of the Royal College of Organists.

Charles Maxtone-Smith — Organist

Charles Maxtone-Smith is Organist of Buckfast Abbey. He graduated from the Royal Academy of Music in 2023 with the Advanced Diploma, MA Distinction and the DipRAM award, as a student of David Titterington, Bine Bryndorf, and Richard Pinel. He won the Musicians’ Company Award for Organists in 2023, which provides generous funding for two years of further study. He currently takes lessons with Christophe Mantoux at Saint-Séverin, Paris, studying French Baroque and Romantic literature. He successively held organ scholarships at Hereford Cathedral, New College, Oxford, Westminster Abbey, Royal Hospital Chelsea, and King’s College, London. Since 2014 he has been one of the Festival Organists at the annual Edington Festival of Music within the Liturgy, and has played for several BBC Radio 3 broadcasts.

The present incarnation of the Abbey Choir was founded in 2009. The choir has since established a broad repertoire, ranging from polyphonic music of the sixteenth century and Masses of the Viennese school, through to music of the French Romantic tradition and contemporary music by James MacMillian, Matthew Martin and Dom Sebastian Wolff OSB. The choir has recently commissioned a set of eight fauxbourdon Magnificats for the liturgy from Andrew Reid, and given the premiere of a new Mass for Corpus Christi composed by Martin Baker.

The choir sings Solemn Mass and Vespers on Sundays, and Mass on Holy Days of Obligation during the week. A smaller schola supports the singing of the Monastic Community for Mass on weekday Solemnities and during choir holidays. The choir gives several concert performances each year, with recent highlights including Charpentier’s Messe de minuit with Noxwode Baroque and the Duruflé Requiem with the Southern Sinfonia. The choir recorded its first album in 2014 and has subsequently made several recordings on the Abbey’s in-house record label, Ad Fontes. In 2018 the choir sang Midnight Mass at the conclusion of Buckfast’s millennium year, which was televised live on BBC One.

In 2018 Buckfast Abbey celebrated 1000 years since its foundation. As a lasting legacy, the Abbey founded a choir of choristers offering the opportunity for boys and girls aged between 7 and 14 to enhance the glorious surroundings of the Abbey through their singing at regular Masses, as well as to perform in concerts and an annual tour. Each chorister receives a scholarship from the Abbey for individual vocal and piano tuition, and works towards exams in singing and piano for the Associated Board of the Royal School of Music.



Becoming an Abbey Chorister is a unique, life-changing, opportunity for children who are interested in participating in a professional choir, and is recruited from schools in the local area, both state and independent. The Abbey Choristers sing in a distinctively Catholic tradition rooted in Gregorian chant.



We are always happy to hear from prospective new choristers and their parents. If your son or daughter is aged 7-12 and loves singing, please get in touch by email.

Buckfast Abbey is delighted to have the first organ in the United Kingdom by the renowned Italian organ builder, Fratelli Ruffatti. The instrument consists of a substantial Quire Organ (four divisions and pedal) located on both sides of the Quire and the upper triforium, and a Grand-Orgue in the West Gallery (two divisions and pedal). The scale of the instruments allows a rich variety of tonal colour which encourages creativity in the accompaniment of the Monastic Community and Abbey Choir, as well as providing the versatility necessary for a wide range of organ repertoire. An exciting feature of the two spatially-separated instruments is the possibility of playing antiphonally, as well as the ability to play the instruments together (from one, or both, consoles).

A notable feature of the Quire Organ is an Italian-inspired Positivo division, which includes a number of special effects including a Nightingale, Zimblestern, Glockenspiel, Drum and Bagpipes; features common in Italian organs of the Renaissance and unique tools in improvisation and organ repertoire of the period.

The organ features two high-pressure reed stops: a bright Pontifical Trumpet en chamade, protruding horizontally from the West Gallery casework, and a darker, more tuba-like Abbatial Trumpet, located in the triforium.